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Our three ornate towers stretch above the ballrooms below, giving guests a view of the stunning Pershing Square. Having played host to a golden-era prohibition nightclub, numerous Academy Awards ceremonies, and feature film sets throughout the years – you’ll wish these gilt walls and painted ceilings could talk. Our beaux-arts institution has impressed guests and locals since the glory days of Old Hollywood, capable of entertaining a galaxy of stars, dignitaries and presidents from around the world. Soon to be celebrating our 100-year anniversary – and having recently added the ‘ Los Angeles Historic-Cultural Monument’ accolade to our mantle – Millennium Biltmore Los Angeles is the grand dame of downtown and this district’s most historic hotel. Frey countered the clean harmonies of “Try and Love Again” with a downright messy lead Walsh added some dirty swagger to “In the City” and “Life’s Been Good.Discover our historic hotel in downtown Los Angeles Often playing ugly-on-purpose or raucously intertwined, Walsh, Gill, Smith, and Deacon Frey cooked up fiery moments. Even if one can’t feel the beating heart in songs such as “Wasted Time” and “Take It To the Limit,” one would have to be ice cold not to get a jolt from the guitars. So to hear something like “One of These Nights,” something so smart and taut and burnished, done just right brought pure delight.ĭetractors, such as The Dude in “The Big Lebowski” and millions of boomers’ angsty kids, have argued the band lacks passion. It also came via the Henley-Frey catalog.ĭespite the fury this statement evokes: the pair had Lennon-McCartney-esque knack for melody and a Becker-Fagen-like understanding of polish. It pays close attention to each number’s instrumentation - a handful of tracks included a live orchestra and choir conducted by Jim Ed Norman, who arranged the original string parts on the Eagles’ records.
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The band relishes in bright, full vocal harmonies (see the spin-tingling “Seven Bridges Road”). The meticulousness shined in a few spots. The band kept them thinking that for over three hours by balancing meticulousness and passion through the LP’s warhorses - “New Kid in Town,” “Life in the Fast Lane,” “Victim of Love” - and a second set of huge hits from “Take it Easy” to “One of These Nights” to “Desperado.” From the opening notes of that eerie, iconic and absolutely perfect guitar line, the crowd checked into the show, also never wanting to leave.įrom behind his drum kit, Henley’s voice, rougher for the years yet even better suited for the song now, sung, “On a dark desert highway, cool wind in my hair.” Suddenly, ten thousand fans were thinking this could be heaven. ran through the iconic, 30-million-selling, 1976 LP front-to-back. (A second show is Saturday.) This meant Henley & Co. Schmit, the late Glenn Frey’s son, Deacon Frey, country ace Vince Gill, and ringer Steuart Smith - brought the “Hotel California” tour to the TD Garden. The Eagles really can’t leave “Hotel California.”įriday night, the band – now including founder Don Henley, longtimers Joe Walsh and Timothy B.